Art, architecture and archaeology

Borobudur, or Barabudur, is a 9th-century Mahayana Buddhist monument in Magelang, Central Java, Indonesia. The monument comprises six square platforms topped by three circular platforms, and is decorated with 2,672 relief panels and 504 Buddha statues.^[1] A main dome, located at the center of the top platform, is surrounded by 72 Buddha statues seated inside perforated stupa.
The monument is both a shrine to the Lord Buddha and a place for Buddhist pilgrimage. The journey for pilgrims begins at the base of the monument and follows a path circumambulating the monument while ascending to the top through the three levels of Buddhist cosmology, namely Kāmadhātu (the world of desire), Rupadhatu (the world of forms) and Arupadhatu (the world of formlessness). During the journey, the monument guides the pilgrims through a system of stairways and corridors with 1,460 narrative relief panels on the walls and the balustrades.
Evidence suggests Borobudur was abandoned following the 14th-century decline of Buddhist and Hindu kingdoms in Java, and the Javanese conversion to Islam.^[2] Worldwide knowledge of its existence was

Art, architecture and archaeology

Dalyngrigge, a former knight of Edward III, with the permission of Richard II, ostensibly to defend the area against French invasion during the Hundred Years' War. Of quadrangular plan, Bodiam Castle has no keep, having its various chambers built around the outer defensive walls and inner courts. Its corners and entrance are marked by towers, and topped by crenellations. Its structure, details and situation in an artificial watery landscape indicate that display was an important aspect of the castle's design as well as defence. It was the home of the Dalyngrigge family and the centre of the manor of Bodiam.
Possession of Bodiam Castle passed through several generations of Dalyngrigges, until their line became extinct, when the castle passed by marriage to the Lewknor family. During the Wars of the Roses, Sir Thomas Lewknor supported the House of Lancaster, and when Richard III of the House of York became king in 1483, a force was despatched to besiege Bodiam Castle. It is unrecorded whether the siege went ahead, but it is thought that Bodiam was surrendered without much resistance. The castle was confiscated, but returned to the Lewknors when Henry VII of the House of Lancaster became king in 1485. Descendants of the Lewknors owned the castle until at least the 16th century.

Art, architecture and archaeology

South (front) facade of Belton House

Belton House is a Grade I listed country house in Belton near Grantham, Lincolnshire, England. Coordinates: 52.944°N 0.6228°W The mansion is surrounded by formal gardens and a series of avenues leading to follies within a larger wooded park. Belton has been described as a compilation of all that is finest of Carolean architecture, the only truly vernacular style of architecture that England had produced since the Tudor period.^[1] The house has also been described as the most complete example of a typical English country

Art, architecture and archaeology

The Battle of Alexander at Issus

Artist	Albrecht Altdorfer
Year	1529
Type	oil painting on panel
Dimensions	158.4 cm × 120.3 cm (62.4 in × 47.4 in)
Location	Alte Pinakothek, Munich, Germany

The Battle of Alexander at Issus (German: Alexanderschlacht) is a 1529 oil painting by the German artist Albrecht Altdorfer (c. 1480–1538), a pioneer of landscape art and a founding member of the Danube school. It portrays the 333 BC Battle of Issus, in which Alexander the Great secured a decisive victory over Darius III of Persia and gained crucial leverage in his campaign against the Persian Empire. The painting is widely regarded as Altdorfer's masterpiece, and exemplifies his affinity for scenes of monumental grandeur.
Duke William IV of Bavaria commissioned The Battle of Alexander at Issus in 1528 as part of a set of historical pieces that was to hang in his Munich residence. Modern commentators suggest that the painting, through its abundant use of anachronism, was intended to liken Alexander's heroic victory at Issus to the contemporary European conflict with the Ottoman Empire. In particular, the defeat of Suleiman the Magnificent at the Siege of Vienna may have been an inspiration for Altdorfer. A religious undercurrent is detectable, especially in the extraordinary sky; this was probably inspired by the prophecies of Daniel and contemporary concern within the Church about an impending apocalypse. The Battle of Alexander at Issus and four others that were part of William's initial set are in the Alte Pinakothek art museum in Munich.
[edit] Subject matter

Main article: Battle of Issus

Detail of Alexander the Great from the Alexander Mosaic c. 100 BC

Alexander III of Macedon (356–323 BC), best known as Alexander the Great, was an Ancient Greek king

Art, architecture and archaeology

The Anthony Roll is a record of ships of the English Tudor navy of the 1540s, named after its creator, Anthony Anthony. It originally consisted of three rolls of vellum, depicting 58 naval vessels along with information on their size, crew, armament, and basic equipment. The rolls were presented to King Henry VIII in 1546, and were kept in the royal library. In 1680 Charles II gave two of the rolls to Samuel Pepys, who had them cut up and made into a single volume, which is now in the Pepys Library at Magdalene College, Cambridge. The third roll remained in the royal collection until it was given by William IV to his daughter, Mary Fox, who sold it to the British Museum in 1858; it is now owned by the British Library.
The Anthony Roll is the only known fully illustrated inventory of ships of the English navy in the Tudor period. As the work of a successful state official in 16th century England, the artistic value of the Anthony Roll has been described as being characterised by "naive draughtsmanship and conformity to a pattern" though its

Art, architecture and archaeology

Angkor Wat (Khmer: អង្គរវត្ត) is a temple complex at Angkor, Cambodia, built for the king Suryavarman II in the early 12th century as his state temple and capital city. As the best-preserved temple at the site, it is the only one to have remained a significant religious centre since its foundation – first Hindu, dedicated to the god Vishnu, then Buddhist. It is the world's largest religious building.^[1] The temple is at the top of the high classical style of Khmer architecture. It has become a symbol of Cambodia, appearing on its national flag, and it is the country's prime attraction for visitors. Angkor Wat combines two basic plans of Khmer temple architecture: the temple mountain and the later galleried temple, based on early South Indian Hindu architecture, with key features such as the Jagati. It is designed to represent Mount Meru, home of the devas in Hindu mythology: within a moat and an outer wall 3.6 kilometres (2.2 mi) long are three rectangular galleries, each raised above the next. At the centre of the temple stands a quincunx of towers. Unlike most Angkorian temples, Angkor Wat is oriented to the west; scholars are divided as to the significance of this. The temple is admired for the grandeur and harmony of the architecture, its extensive bas-reliefs, and for the numerous devatas (guardian spirits) adorning its walls.

Art, architecture and archaeology

Acra (fortress)

The Acra (or Akra, Hebrew: חקרא or חקרה‎, Greek: Aκρα), was a fortified compound in Jerusalem built by Antiochus Epiphanes, ruler of the Seleucid Empire, following his sack of the city in 168 BCE. The fortress played a significant role in the events surrounding the Maccabean Revolt and the formation of the Hasmonean Kingdom. It was destroyed by Simon Maccabeus during this struggle.
The exact location of the Acra, critical to understanding Hellenistic Jerusalem, remains a matter of ongoing discussion. Historians and archaeologists have proposed various sites around Jerusalem, relying mainly on conclusions drawn from literary evidence. This approach began to change in the light of excavations which commenced in the late 1960s. New discoveries have prompted reassessments of the ancient literary sources, Jerusalem's geography and previously discovered artifacts. Yoram Tsafrir has interpreted a masonry joint in the southeastern corner of the Temple Mount platform as a clue to the Acra's possible position. During

Art, architecture and archaeology

The first 7 World Trade Center (1983–2001)

Original 7 World Trade Center, the red-tinted building behind and to the left of the Twin Towers. (View from southwest.)

The original 7 World Trade Center from the WTC observation deck, August 14, 1992

The original 7 World Trade Center was a 47-story building, designed by Emery Roth & Sons, with a red granite facade. The building was 610 feet (190 m) tall, with a trapezoidal footprint that was 330 ft (100 m) long and 140 ft (43 m) wide.^[3][4] Tishman Realty & Construction managed construction of the building, which began in 1983.^[3] In March 1987, the building opened, becoming the seventh structure of the World Trade Center.
The building was constructed above a Con Edison substation that had been on the site since 1967.^[5] The substation had a caisson foundation designed to carry the weight of a future building of 25 stories containing 600,000 sq ft (56,000 m²).^[6] The final design for 7 World Trade Center was for a much larger building than originally planned when the substation was built.^[7] The structural design of 7 World Trade Center therefore included a system of gravity column transfer trusses and girders, located between floors 5 and 7, to transfer loads to the smaller foundation.^[8] Existing caissons installed in 1967 were used, along with new ones, to

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